Tým

Vision Design Typography

About us

Tím Klára Kvízová Graphics

Experience, exclusivity, and care are the most valuable contributions we want to apply to your assignment. We know our art and are interested in the technology of a complex solution providing excellent results. We can make a project unique with a customized typeface, for example. Together with you, we search for the meaning of a common solution. Together with you, we will find meaning of a joint solution standing out for its originality. We are a graphic studio creating timeless designs of lasting value.

Klára Kvízová

Klára Kvízová

Klára Kvízová graduated from the Studio of Lettering and Typography at the Academy of Arts, Architecture and Design in Prague (UMPRUM), obtaining a MgA degree in 1995 with the design of the first issue of the Živel magazine. She participated in editing the magazine until issue No. 35, which became a recognized platform for applying new experimental trends in typefaces and typography. After co-founding the ReDesign studio together with Petr Krejzek, she has been involved in the design of many books, art publications (Akropolis edition, Loutka a moderna/Puppet and Modernism, Herbář/Herbarium), children‘s books, magazines (Respekt), music projects (Ecstasy of Saint Theresa), art catalogs (Pavel Mára, Obecní dům–1912), festivals (Prague Spring, Academia film Olomouc), exhibitions (Planeta Eden, Nebourat!). She designs visual communication styles for renowned companies such as Brick, Lockers, KOMA, FIZZ, and VUT Brno. She specializes in visual styles for architectural offices and graphic design applications in architecture. She has won numerous awards for her work (Typo Design Club, ED Awards, Brno Biennial, Most Beautiful Book of the Year). Her work has been published in many Czech and international publications and magazines (Deleatur, Novum, No More Rules, Type at Work, Czech 100 Design Icon, The Typographic Experiment, and Woman in Graphic Design). In 2020, she founded her private studio, klarakvizova.graphics. She likes to travel and loves hiking in nature. Her big dream is to go cross-country skiing in Norway.

Matyáš Bartoň

Matyáš Bartoň

Matyáš Bartoň graduated from the Studio of Type Design and Typography at the Academy of Arts, Architecture and Design in Prague (UMPRUM). He extended his studies with an internship at the Sculpture Studio in Prague and at the Royal Academy in The Hague (NL), where he had the opportunity to work on graphic projects of international significance. Besides designing his own typefaces, he published Typeface BC Minim for Typefacelijna Briefcasetype and participated in the digitization of BC Civitas, designed by Jiří Rathouský. In his practice, he uses his artistry and passion for creating new typefaces to design visual identities and other design applications at a variety of scales (a typeface for the Czech Centre exhibition in Berlin, for the South Bohemian Region, for the Krnov City Spa, and others). His approach to design is based on detailed work with typography, aesthetics, and functionality, always striving to create visual solutions that look beautiful and communicate their messages effectively. The new focus is on user experience and user interfaces within websites. He spends his free time outdoors, cycling or hiking at home and abroad, carrying a backpack.

David Šrot

David Šrot

David Šrot graduated from the Academy of Arts, Architecture and Design in Prague (UMPRUM) in the GDVK studio; he completed internships at the Royal Academy in The Hague (NL) and in the Textile Design Studio at UMPRUM. During his university studies, he mainly worked as a freelancer, for example, for the South Bohemian Theatre, after winning a studio competition with Darjan Hardi. Together with Kryštof Novák, they founded Studio Zdaar during their studies; their projects include, i.e., the visual identity for the catalog and exhibition “WAS IST KUNST? Dragoljub Raša Todosijević” at Dům u Kamenného zvonu (Stone Bell House) in Prague. David graduated in 2023 designing the Kelim Dictionary project, where he explored the motifs and symbolism hidden in kelim (killim) carpets. The output was a publication printed on risograph, and a hand-woven rug. Since 2023, he has also been working in the KKG studio.

Lucie Kvapilová

Lucie Kvapilová

Lucie Kvapilová is finishing her graphic design studies at the Scholastika Higher Vocational School in Prague. As part of her bachelor’s project, she collaborates with graphic designer Natalia Fecková on the brand yūsei, which combines experimental graphic printing with textile design. Together, they also create content for the school’s social networks. During her studies, she completed a professional internship at the Klára Kvízová Graphics studio, where she now works professionally. In addition, she has been working on visual identities for music projects, such as for the band marea and the musician Sara Lagova. In her work, she likes to combine free creation and experimentation. When designing websites that are professionally close to her, she emphasizes functionality and quality design. In her free time, you can find her in nature, most often in the woods and mountains. Or writing poetry.

Cooperation

We currently collaborate with a number of interesting personalities, institutions, companies and firms, which, thanks to their focus, bring new ideas to our work. These include: Royal Canonry of the Premonstratensians in Strahov, South Bohemian Region, AED project, Brick and Lockers, PHA+P architects, L&SCAPE architects, Zlatá rybka, AOC architects and many others. We also collaborate with Akropolis Publishing House, National Gallery, UMPRUM, Czech Centers, etc.

2019. The Most Beautiful Book Award, 3rd place in the category Scientific and Professional Literature
2016. Czech Grand Design Nomination
2015. Czech Grand Design Nomination
2013. Czech Grand Design Nomination

2019. The Most Beautiful Book Award, 3rd place in the category Scientific and Professional Literature
2016. Czech Grand Design Nomination
2015. Czech Grand Design Nomination
2013. Czech Grand Design Nomination

2012. The Most Beautiful Book Award, 2nd place in the category Catalogs
2011. The Most Beautiful Book Award, 1st place in the category Scientific and Professional Literature
2010. EdAwards, European Design Awards, 3rd place in the category Magazines
2008. The Most Beautiful Book Award, 1st place in the category Literature for Children and Young People
2007. The Most Beautiful Book Award, 2nd place in the category Textbooks
2007. The Most Beautiful Book Award, 2nd place Literature for Children and Young People
2006. The Most Beautiful Book Award and the Ministry of Culture Award, 3rd place in the category Textbooks
2006. The Most Beautiful Book Award, 2nd place in category of fine literature
2005. The Most Beautiful Book Award, 3rd place in the category of fine literature
2004. The Most Beautiful Book Award and the Ministry of Culture Award, 1st place in the category of Textbooks
2002. The Most Beautiful Book Award, 2nd place in the category of fine literature
2001. The Most Beautiful Book Award, 2nd place in the category of fine literature
2001. The Most Beautiful Book Award ’00, 2nd place in the category of fine literature
2001. The Most Beautiful Book Award ’00, 2nd place in the category of scientific and professional literature
2000. XIX. International Biennial of Graphic Design Brno, Award of the Union of Fine Artists, Živel
1998. The Most Beautiful Book Award ’97 and the Ministry of Culture Award, 1st place for reading books for primary schools
1997. Good Design Award 1997 for the design of annual reports for the company. Aliatel, 1st IN, EZ Prague
1997. TypoDesignClub Award ’96 for the best annual report of the year (Aliatel)
1997. The Most Beautiful Book Award ’96 and the Ministry of Culture Award, 1st place for reading books for elementary schools
1996. XVII. Biennial of Graphic Design

Young people who want to succeed in graphic design, industrial design, architecture, fashion and other fields have creative ideas. Some even have a lot of very creative ideas. But it is often difficult for them to explain them simply and convincingly. That is why the Nebojsa course was created! Its participants will learn how to simply express the most important things using words and appropriate graphic form. It will help in communicating with colleagues, sponsors and clients. Capturing the essentials will move the creator himself forward-being clear is a fundamental step towards the implementation of every idea.

Young people who want to succeed in graphic design, industrial design, architecture, fashion and other fields have creative ideas. Some even have a lot of very creative ideas. But it is often difficult for them to explain them simply and convincingly. That is why the Nebojsa course was created! Its participants will learn how to simply express the most important things using words and appropriate graphic form. It will help in communicating with colleagues, sponsors and clients. Capturing the essentials will move the creator himself forward-being clear is a fundamental step towards the implementation of every idea.

kurz neboja!

Thanks to

Namely to the brothers from the monastery Daniel, Zdík, Ambrož. Many thanks to Marian Rehák for coding the new website — it went great! Frant Štorm for inspiring cooperation…
We thank everyone who is keeping their fingers crossed and standing by us.